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Against this ideological, false myth of what RГ¶mhild considers an amputated, White Europe, she juxtaposes a really existing entity traditionally, historically, and fundamentally constituted by migrancy, even if its real-world existence is not typically recognized by majority opinion. This Fortress Europe is under attack, especially by way of the Mediterranean Sea route. In the latter, Europe is imagined as a relatively homogeneous polity whose well-defined borders are in danger of being overrun by waves of immigrants. RГ¶mhild genealogized such a Europe, reconceptualizing it against contemporary normative definitions.

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Artistic production and aesthetics have especially important work to do under such circumstances I suggest that these recent films by Petzold invite viewers to notice and (re)consider complicities in this power differential and to imagine and work toward a postmigrant Europe.ДЄt the June 2020 e-conference вЂњPostmigrant Aesthetics: How to Narrate a Future Europe?вЂќ keynote speaker, Humboldt University professor of ethnography Regina RГ¶mhild argued for defining Europe as postmigrant. Even if historically accurate, it cannot (yet) be understood as normative, but rather aspirational, because in our real-existing Europe, power dynamics between individuals and communities inhere and continue to thwart equitable participation. Further, I argue that these films also highlight limitations of the concept of postmigrant Europe. Drawing on sociologist Jin Haritaworn, I pay special attention to these worksвЂ™ commentaries on вЂњregenerativeвЂќ minorities. Drawing on RГ¶mhild, I analyze Berlin School filmmaker Christian PetzoldвЂ™s films Transit (2018), Phoenix (2014) and Jerichow (2008) with an eye towards what I dub their postmigrant aesthetics. In these ways and more, Europe has always already been constituted through exchange, movement, and porousness. She shows the fundamental importance of neo/colonial entanglements, sketches Europe as part of a black Mediterranean (cp: Paul Gilroy), and explains how resistant, anti-colonial imaginations variously shape this union. RГ¶mhild juxtaposes a Europe traditionally, historically, and fundamentally constituted by migrancy. Ethnographer Regina RГ¶mhild has recently argued that understanding Europe as homogeneous and clearly demarcated inaccurately conjures a truncated White entity quite distinct from that which its early founders imagined. 1 Jennifer Ruth HosekДЄ contested polity and an imagined community, Europe is confronting a myriad of political, economic, and climatic shifts. Towards a European Postmigrant Aesthetics: Christian PetzoldвЂ™s Transit (2018), Phoenix (2014), and Jerichow (2008) TRANSIT Vol.

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